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    Jean Rouch
    An image from Chronicle of a Summer, one of the productions that also features Jean Rouch.
    Jean Rouch

    Jean Rouch

    May 31, 1917 — Paris, France

    From Wikipedia, the free encyclopedia

    Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist.

    He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.

    Chronicle of a Summer

    Chronicle of a Summer

    1961

    The Mad Masters

    The Mad Masters

    1955

    The Year 01

    The Year 01

    1973

    I, a Negro

    I, a Negro

    1959

    Six in Paris

    Six in Paris

    1965

    The Human Pyramid

    The Human Pyramid

    1961

    Little by Little

    Little by Little

    1970

    Jaguar

    Jaguar

    1967